Modern technology enables us to feel connected with an imagined group or community of people who read or view the same stories as we do. As Roger Craig Aden shows in Popular Stories and Promised Lands: Fan Cultures and Symbolic Pilgrimages , the journey to a sacred destination — whether a football game or the Green Gables house — sharpens that sense of a bond with like-minded individuals. This desire to seek out a heightened feeling of belonging to a literary community transcends age, class, and taste distinctions. Screen music and the question of originality - Miguel Mera — London, Islington.
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UEA Inaugural lecture: Alternative performance measures: do managers disclose them to inform us, or to mislead us? Edition: Available editions United Kingdom. Michelle Smith , Deakin University. The former home of the Bronte family is now a museum. Man Alive! Ernest Hemingway lived at the hotel for a number of years and during the liberation of Paris in August , he held court at the saloon now renamed Bar Hemingway in his honor , ordering 73 martinis for soldiers. He welcomed visitors including J.
Salinger, George Orwell, and Orson Welles. He also wooed his fourth wife, Mary Welsh, in his rooms at the Ritz.
Proust loved the iced beer served by the hotel that he requested one on his deathbed and famously sent his driver to fetch it. As a result, she and Capa had a wild affair. Dated June 6, , the note reads:. This is a joint effort. At your service, Robert Capa and Irwin Shaw. We planned to send flowers with this note, inviting you to dinner. Consultation with our financier, however, reveals it is possible to pay for either flowers or dinner, but unfortunately not both.
Dinner won by a close margin. Our taste is for champagne, but our budget is for beer. Our supply of charm is unlimited. We do not perspire and we sleep standing up.
The building is now Chanel Coco Chanel opened her first boutique just steps away at 21 rue Cambon. Across the street, in the narrow rue Visconti , he taught June how to ride a bicycle. I will write here. I will live and write alone. And each day I will see a little more of Paris, study it, learn it as I would a book…The streets sing, the stones talk. The houses drip history, glory, romance. I am the happiest man alive.
In the middle of the square four black trees that have not begun to blossom. Intellectual trees, nourished by the paving stones. Like T. From until , E. Pilgrims to her grave leave ballpoint pens, their tips plunged into the soil of the potted plants on her headstone. Ezra Pound, poet and former secretary to W. Thus it has galloped long, with tossing mane, Like a cascade, leaping into the void, That, fettered by the frost, hangs dizzily. But soon will shine the sun of liberty, And from the west a wind will warm this land. Will the cascade of tyranny then stand?
Mickiewicz On the face of it, Pushkins poem is a polemic with that of his Polish friend. In several poems published after Mickiewicz left Russia, Pushkin condemned the Polish uprising and praised Russias action to put it down. Pushkin thus may have felt Mickiewiczs poem was actually a criticism of Pushkin himself. Pushkin was no supporter of Russian autocracy, though he did love his home city, and his poem works less as a defense of Peter than of Petersburg itself. Ultimately, Pushkin is engaged in much more than an agon with Mickiewicz.
The Bronze Horseman is richer in style than The Monument of Peter the Great, more complex in its formal aspects, and aesthetically more satisfying. Its setting is the massive Petersburg flood of that cast much of the city under water. It describes the fate of an insignificant clerk, Evgeny, who one night has a fateful encounter with the statue. In the poems long introduction, a paean to the city, the strong, noble Peter contemplates with barely-contained energy the building of a city on a spot where only a poor fishermens village stood: On a shore washed by desolate waves, he stood, Full of high thoughts, and gazed into the distance Pushkin Flaunt your beauty, Peters City, and stand unshakable like Russia, So that even the conquered elements may make Their peace with you Pushkin At the height of the storm during which the poems primary action takes place, Evgeny finds himself astride one of several carved lions on a high porch of a palace in the square containing the statue.
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After the worst of the deluge is past, Evgeny discovers that the rushing waters and whipping wind have swept away the shack where his love, and hoped-for wife, lived. With hopes for happiness dashed and mind shaken, Evgeny takes to wandering the city as a vagabond. One gloomy, wet fall night he wakens on the Neva embankment, and with a start he sees he has wandered onto the square over which the visage of the dread emperor is eternally cast Terribly his thoughts Grew clear in him.
He recognized the place Where the flood played, where greedy waves had pressed, Rioting round him angrily, and the lions, And the square, and him who motionlessly Held aloft his bronze head in the darkness, Him by whose fateful will the city had Been founded on the sea How terrible He was in the surrounding murk! What thought. Was on his brow, what strength was hidden in him!
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And in that steed what fire! Where do you gallop, Proud steed, and where will you plant your hoofs? O mighty master of fate! His wits now entirely gone, Evgeny runs, convinced the dread tsar is thundering after him Across the empty square He runs, and hears behind himlike the rumble Of thunderthe clash and clangor of hoofs Heavily galloping over the shaking square. And lit by the pale moonlight, stretching out His hand aloft, the Bronze Horseman rushes After him on his ponderously galloping mount; And all night long, wherever the madman ran, The Bronze Horseman followed with a ringing clatter.
Evgeny continues to be pursued by the equestrian Peter until finally his corpse is found on the spot where his fiances hut once stood. Pushkins poetic meditation on the statute is seen as a metaphor for the identity and fate of Russia, the hubris and greatness of its most compelling ruler, and the place of the individual facing the vast energy and power through which nations and great cities are created. Emperor Nicholas I, Catherines grandson, himself read Pushkins poem in manuscript.
Concerned that Pushkin was voicing opposition to Peter, and thus criticism of the Russian autocracy as an institution and of Nicholas himself, the emperor forbade publication. Shortly after Pushkins death in a duel in , the work was finally published. The synergy of monument and poem is remarkable, and the. Pushkins poem and Falconets statue echo throughout Russian literature of the 19th and 20th centuries.
It is here, past simple archways into an elegant dining room, that Russias greatest poet Alexander Pushkin had a bite to eat before walking out into the snowy St. Petersburg night to die at the hands of an enemy in a duel. The year was The Literary Cafe had opened as a confectioners only two years before. Other Russian literary figures, such as Dostoevksy and Alexander Chernyshevsky, enjoyed the posh atmosphere of the caf as well.
Vaulted ceilings, parquet floors, bronze candelabras, gleaming sconces, crisp linens were all a part of St. Petersburgs most elaborate literary setting. Even in the waning days of the Soviet empire, the Literary Cafe was an oasis in a desert of stagnation. While shops were bare and whatever restaurant food was available was of questionable quality, the Literary Cafe served up delicate canaps with small dabs of caviar, the usual tomato and cucumber salad, but with an elegant flair, tender blini, and small chunks of succulent sturgeon. It wouldnt have earned a single Michelin star, but the atmosphere was always elegant, subdued, and superbly humane in a growingly inhumane society.
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Poets, writers, theater actors, and tourists frequented this historical venue. Today, with a proliferation of new and modern cafs, clubs, and restaurants around the city, the Literary Cafe maintains a lower profile, with an upstairs dining room featuring chamber music in the evenings. The many vaulted rooms have been closed off by a wall. That space now houses a private company.